пока я страдаю над списком фичочков, вот вам мультифандомные видяшки. очень люблю я это дело. половина песен в моём плейлисте родом оттуда. тыц
рыдала над этим amv, наверное, год. один из самых дорогих моему сердцу пейрингов. видимо, потому что там всё плохо. и тема, которую все вы где-то уже наверняка видели: ты мой друг, и я верну тебя.
да-да, я уже и раньше шиппила чувака с металлической рукой с военным в синей форме.
это видео очень долго было в моём телефоне. пока я не поменяла телефон. такое позитивное, улыбаюсь всю дорогу.
с самого первого сезона я считала, что Хаус и Чейз очень похожи. и в этом видео отличные параллели.
кааак меня колбасило с этого пейринга! нет, мне не стыдно.
Том и Крис будто специально снимаются в фильмах про примерно одну и ту же эпоху. какой простор для фантазии. обожаю это видео. одно из любимых EVER.
не читаю, но яростно одобряю. тем более, что в новом сезоне пейринг вообще должен заиграть интересными красками.
пример чисто платонического для меня пейринга. что абсолютно не мешает мне его обожать.
самый долгоиграющий в моей жизни фандом, йоу!
долго выбирала между мимими и тленом. угадайте, какой вариант победил. посмотрела последнюю серию через два года после её выхода, просто потому что не могла. хочу сказать, что даже несмотря на, она очень правильная. хотя бы потому, что она только о них двоих, и никто не мешает.
and I've lost who I am and I can't understand why my heart is so broken rejecting your love вы ещё не рыдаете? тогда старбакс идёт к вам.
видела пицот раз, знаю наизусть - и всё равно каждый раз смешно.
разгребаю закладки в попытках объять необъятное, то бишь прочитать весь старбакс на АО3. однажды я обязательно выполню эту миссию полностью. особенно запавшее за последние пару дней:
Accidentally on Purpose by nekare, notallbees After Bucky drunkenly kisses Steve by accident, it just seems to keep on happening, until it's not so much by accident anymore. "..."
“I said listen! Now, either we’re gonna shake hands and forget about it, or we’re gonna stop swiping at each other and try it for real. Either way, this horseshit stops right now.”
Captain Rogers and Sergeant Barnes by Speranza His eyes were dark and unreadable: there was only a faint ring of blue around the pupils. He stared at Steve down the gun barrel and muttered: "Are you really my friend?" Speranza всегда прекрасна. читаю её из фандома в фандом. "..."
"It's not that I don't remember," Bucky said softly, answering the question he hadn't asked. "It's that I can't forget."
the long slide from kingdom to kingdom by gyzym They want you to love the whole damn world but you won't, you want it all narrowed down to one fleshy man in the bath, who knows what to do with his body, with his hands. - Richard Siken, Driving, Not Washing. "..."
Bucky doesn’t need sorry, though. Bucky needs compassion and friendship and a better haircut, so Steve grins at him, pulls the scissors from his hand. “Yeah, well. You used to cut mine, too - which is why you got all the dames and I got sent home before the night was over, I might add. You had a great barber, and I had an idiot with a pair of scissors and a real twisted sense of humor.”
...You're better than the best I'm lucky just to linger in your light Cooler than the flip-side of my pillow (that's right) Completely unaware Nothing can compare to where you send me It lets me know that it's okay (yeah, it's okay) And the moments when my good times start to fade
You make me smile like the sun, Fall outta bed Sing like a bird, Dizzy in my head Spin like a record, Crazy on a Sunday night You make me dance like a fool, Forget how to breathe Shine like gold, Buzz like a bee Just the thought of you can drive me wild Oh, you make me smile
Even when you're gone Somehow you come along Just like a flower poking through the sidewalk crack And just like that You steal away the rain And just like that
Don't know how I lived without you 'Cause every time that I get around you I see the best of me inside your eyes You make me smile
You make me dance like a fool, Forget how to breathe Shine like gold, Buzz like a bee Just the thought of you can drive me wild Oh, you make me smile перевод
TORONTO — With his new movie “Before We Go,” Chris Evans is both filmmaker and actor. Last week, we asked readers what they would ask Mr. Evans, whose directorial debut has its premiere in Toronto on Friday. He sat down with us to answer a select number of those questions about his life and career. Here are those responses.
Q.
So, you express so much about how theater was a huge part of your family and how it’s shaped/inspired you to pursue acting. That being said, if there’s time to make dedication for such a thing and the right opportunity might come along, would you ever consider doing a Broadway production or even an off-Broadway production? — Marisa, Mount Vernon, N.Y.
A.
Yes, definitely. I like pursuing new endeavors. That’s part of the reason I wanted to direct. I like to create things. I’m a Gemini. I’m always looking for something new. And I certainly miss the theater. So who knows what tomorrow will bring?
Q.
Is there a type of character or movie you have not yet explored and that would be a challenge for you? — Joane Lamoureux, Montreal
A.
I’ve always wanted to play someone who’s very verbal. I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they’re saying. Especially coming off Captain America, who’s very internal and intimate, I’d love to play someone who wears their emotions on their sleeves, potentially to a fault.
Q.
My question for you is actually for my 13-year-old son, Ryan. He is currently enrolled in theater at his middle school for his third year. He loves it, but it seems whenever it’s time for that first line of dialogue, he gets nervous and is very quiet and rushes through it. By his next line and following, he’s dynamic. It’s just that first line that gets him, and when it’s a competition, it’s often pointed out. What advice would you give to him to get past that butterflies-first-line moment? — Ally Woods, Fort Worth
A.
If you start making too much of a big deal about that first entrance, you’re in trouble. For me, I really try and dilute the initial experience. So if I do things like a talk show, backstage I try and find conversation with people and start the behavior, whatever is required of me onstage, before I walk out.
Q.
What was the most challenging role you have played? — Dani Cardina, Brooklyn
A.
I’ll say Captain America because this is so not me. I’m very candid. I’m very loose. I’m very honest. I’m very open. Captain America is very internal. He struggles in certain social situations. Granted, I struggle in certain social situations. But for the most part, the way I find peace is by being aggressively honest. I think Steve Rogers is not that way.
Q.
As a director, how do you know when a sсript is ready to shoot? —Deanna Salas, Chico, Calif.
A.
You never do. The funny thing about directing is that you have your own opinions, but it’s a collaboration. Directing is a group effort. Even though you might think something works, the smartest thing you can do as a director is try and weigh the opinions of the people around you.
Q.
What film that you’ve acted in do you wish you could have directed? — Emily Wright, UK
A.
Maybe “London”? I did a movie called “London.” And by no disrespect to Hunter Richards. I love Hunter. But that was one of those movies I really responded to as an actor and I loved the verbal element. In my mind, I had such a strong interpretation of how I thought the movie would go. Again, not because I thought Hunter did anything wrong, but just because I had a really deep connection to the character and the dialogue and it may have been a fun experience to explore that as a director.
Q.
Did you enjoy the directing process, and what was your most memorable experience? — Caprice Phillips, Little Rock
A.
I’d say the first day of actually shooting a movie and seeing slates that have your name on them. Calling “action” and calling “cut.” It was kind of overwhelming and simultaneously wonderful, but very intimidating.
Q.
What sort of stories grab your attention as material you’d like to direct vs. material you like to act in? —Michelle Buchman, Boston
A.
I like human stories. I like stories about situations we can relate to. I like movies like “Ordinary People” or “Terms of Endearment.” Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
Q.
Is the experience of directing a more liberating experience or more terrifying than acting? — Natalie Foote, Reading, UK
A.
Both. It’s beyond terrifying. There’s a million reasons to be scared. But it is incredibly liberating because it’s your project. Every decision has to be funneled through you.
Q.
What’s your favorite scene in this movie? — Eva Y., Germany
A.
Well, without ruining too much, I like our final scene together. It’s the most clear understanding of what the movie’s about and shows a beautiful relationship between the characters.